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Owner
Sven-H. Gawron,
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Double
Bassist
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About
Double
Basses etc.
Services
Photogallery
How
to get here
Contact
Impressum
/ Datenschutz
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Double
Bass Point Viersen - Double Basses & Co.
Exhibition
Dates - 2023 - Double Bass Bows:
At
these events all my bass bows can be tested.
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Free
tickets wanted ? Klick
here
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Double
Basses, Bows etc...
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Quick-Finder
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Double
Basses
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Bows
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Because
of Corana restrictions visits actually can only be accepted
after email or telephone reservation !
- Spoken
languages: English, French, German, Italian, Spanish, Dutch
- A
guest room ......especially for foreign and far travelling
customers who often suffer under time stress. This creates
a relaxed and calm atmosphere which is essential for an effective
trial period during the stay.
- As
being a bassist myself I am able to present you all instruments
and bows playing, so that you can judge their quality also
from distance.
- Massive
student instruments in reasonable quality always on stock,
simple starter instruments by special request only, expert
setup guaranteed!
- Antique
instruments in need of restaurations according to stock, please
ask
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Double
Basses
All
instruments are in very good condition and easy to play. Modifications
by request
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Model
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Back
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String-length
(cm)
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Condition
& Sound
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click
here
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3/4
4-S, Show-Bass probably made ca. 1930-50 |
Gamba
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round
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52
- 37 - 65,5 - 16/18
back
to top
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D-104
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Well
preserved original double bass made between 1930-50. Recommended
for Jazz, Rockabilly or Pop. A real eye catcher!
Very
good response, open delicate sound with much character, suitable
for studio recordings.
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click
here
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3/4
4-S, Student-Instrument in good quality |
Violin
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flat
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50
- 35 - 67 - 16/21,5
back
to top
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D-104,5
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Fine
hand made double bass with solid spruce top and birdeye maple
for back and ribs, quality mechanics. Good allround instrument
for Jazz, classical music or other..., good response, full sound
and good projection!
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click
here
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1/4
4-S Bassetl, Bohemia around 1800, in all parts authentic, except
recent neck graft for contemporary use |
Violin
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flat
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43
- 29,5 - 52,5 - 15,5/17,3
back
to top
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D-83
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Nice
old church bass from the Austrian-Bohemian region. Suitable
for Chamber and Baroque music. Open sonor cello like sound with
good bottom in the lower register.
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click
here
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3/4
4-S Bass made ca. 1910 in Hungary/ Austria |
Gamba
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flat
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53
- 36 - 66 - 11/19,5
back
to top
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D-103
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Nice
old Solobass from the Austrian-Hungarian region. Fully restored
and revarnished. Suitable for Jazz, Chamber Music and Solo,
direct and full bodied tone with good projection!
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click
here
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3/4
4-S Saxonian Bass ca. 1900
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Gamba
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flat
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Eb-106
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Charming
old German bass with open warm sound and good response. A
universal instrument for orchestra or Jazz. Good restored
condition.
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click
here
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3/4
4-S Joseph Baldantoni, Ancona 1858, pear-shape with guitar style
flat top.
The
former solo instrument of Stefano Scodanibbio
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Pear
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round
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D-103
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Very
nice and special Solobass with much character. Clear open
tone with precise definition. Entirely good condition and
really fun to play! Fast reactive instrument with a charming
characterful sound.
This
bass is excellent for recordings!
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click
here
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3/4
4-S Piergiuseppe Esposti, Cremona 2001. Esposti, pupil of Sgarabotto
and Bissolotti, won several gold medals with his instruments,
which are highly requested because of their high quality in
sound.
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Violin
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round
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D-104
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Very
good solo instrument with great sound and good projection,
excellently balanced very easy in response.
Very
good (new) condition (The instrument stood all time in Esposti's
home since making. After receiving a gold medal for it, he
always refused to sell it. It has been now finally presented
for sale.
A
personal certificate by Esposti himself will be delivered
with the bass.
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click
here
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3/4
4-S Toscana ca. 1750-1790
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Pear
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flat
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D-104
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Very
nice Solobass with delicate tone and precise projection on
long distance. Very good condition and easy to play!
Existing
scan of certificate paper by Paul Biase/ New York 1996
Preliminary
recent appraisal by Florian Leonhard corrected to "Tuscan
school send half to the end of 18th century"
includes
custom made Mooradian Gigbag
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click
here
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3/4
4-S Jacquet-Family ca. mid19. century, one piece back, beautiful
lionhead
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Violin
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round
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D-104,5
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Very
solid Solo-Bass with powerful tone and long projection, easy
to play! An exceptionel instrument in excellent condition.
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3/4
4-S Solobass (inspired by Charles Quenoil), handcrafted by Tobias
Pöhling, generally revised in the workshop of Double Bass
Point Viersen! |
Violin
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round
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D-105,5
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Comfortable
solo bass, very easy to play, great projection!
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click
here
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3/4
4-S, Jerome Thibouville Lamy ca. 1930 with label inside "Maison
S. E. Coiffier" (important retailer of musical instruments
in the beginning of the 20th century) |
Gamba
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round
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D-106
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Fine
allround bass with strong tone and easy response. Impeccable
condition.
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click
here
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3/4
4-S Bass Bohemia ca. 1850 |
Gamba
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flat
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51,5
- 36,5 - 64 - 16/ 20,5
back
to top
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D-102,5
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Typical
model of this time period from Markneukirchen. Fully restored
and with optimum setup. Suitable for any kind of music, Jazz,
Chamber Music, Orchestra or Solo. Strong carrying tone and good
responsewith combined with excellent projection.
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click here
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3/4
4-S,Thibouville-Lamy, Model Buthod/ Mirecourt ca. 1900
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Gamba
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flat
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D-106,5
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Typical
Mirecourt Bass from the end of the 19th century, totally restored.
Well definated tone with good response in all registers.
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click
here
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4/4
4-S Emil Schuster, Markneukirchen ca. 1950 |
Gamba
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round
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53
- 37 - 68 - 15,5/20,5
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D-106
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Great
sounding 4-string with big carrying warm tone and very good
response. Excellent bass for orchestra and Jazz, but also suitable
as solo bass for taller players. Very good restored condition.
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click
here
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4/4
4-S Barbe-school/ 19th century |
Gamba
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flat
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55
- 39,5 - 70,5 - 15/20
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D-110
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Fine
4-string bass with great carrying tone, warm balanced sound,
easy response. Very good condition.
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click
here
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4/4
4-S Carl Adam Fritsche, Zittau ca. 1920 |
Gamba
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flat
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53
- 37 - 70 - 17/21,5
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D-107
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Fine
4-Stringer with big carrying tone and easy reponse. Very good
condition!
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click
here
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4/4
4-S Thibouville-Lamy ca. 1880 |
Gamba
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flat
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54
- 37,0 - 69,5 - 17/20
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D-107,5
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Classic
superiour Mirecourt 4-string great carrying tone, well balanced
with good response and warm sound. Good condition
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click
here
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4/4
4-S Hilaire Darche (1862 – 1929), Bruxelles ca. 1880
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Gamba
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flat
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53
- 38 - 69 - 16/20,5
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D-105
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Fine
venerable 4-stringer with a silky carryingwarm tone, nicely
balanced with easy response. Good well-cared condition.
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click here
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4/4
5-S by Benedikt Lang/ Mittenwald ca. 1930 |
Gamba
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round
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48,5
- 37 - 68,5 - 17,5/ 20
back
to top
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D-108
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Easy
playable well funcioning 5-stringer in good restored condition,
last repair check April 2020 in my workshop. Great warm sound
with easy response and good projection.
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click
here
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4/4
5-S Grünert 1980 |
Gamba
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round
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51,5
- 37,5 - 71 - 17/21,5
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D-108
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Fine
5-stringer with
great carrying tone, warm balanced sound, easy response. Very
good condition, no cracks. This instrument was regularly inspected
in the Grünert work shop!
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back
to top
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Bows
German Grip
Each
bow has been carefully revised by our bow maker and is fitted
with new hair.
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Nr.
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Description |
Weight
(g) |
Stick
length without screw (cm) |
Playable
hair length (cm) |
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196
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Gustav
Prager, 1866-1953, octogonal stick, silver mounted |
122
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71,2
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56,5
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184
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H.R.
Pfretzschner "Modell Karmann", round stick, nickelsilver
mounted, very rare model with certificate bei René Pfretzschner
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126
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71,7
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56,0
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185
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H.R. Pfretzschner Modell Tourte ca. 1920, round stick nickelsilver
mounted, very rare model with certificate by René Pfretzschner |
124
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70,0
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55,5
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222
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Kurt
Dölling 1909-1990, octogonal stick nickelsilver mounted
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129
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72,8
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58,5
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0183
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Friedrich
Wunderlich, gestempelt FR. WUNDERLICH LEIPZIG, Silber montiert |
129
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74,2
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59,5
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093
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W.M.
Mönnig & Son |
135
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69,5
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56,0
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0047
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Ca.
1870, restored by Michael Dölling, fine stick of superb
wood, silver mounted. With certificate of origin by Raffin. |
128
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67,3
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54,5
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111
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Paul
Rich. Heberlein ca. 1950/60, octogonal stick silver mounted, new
and unplayed! |
150
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73,7
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60,5
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110
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Paul Rich. Heberlein ca. 1930, round stick nickelsilver mounted |
135
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70,7
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56,5
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106
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R.
Weichold/ Dresden 19th century, very good original condition |
133
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69,1
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56,5
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Since
time is rare, not all bows can be put online every time, so
here is just a small selection. There are always many more
available...
It
is highly recommended to come for a visit together with your
instrument, so that you can find out the bow which fits and
works best for you and your bass!
Being
a bassist my self I am able to present you all bows playing,
so that you are able to judge them also from distance.
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back
to top
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Bows
French Grip
Each
bow has been carefully revised by our bow maker and is fitted
with new hair.
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Nr.
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Description |
Weight
(g) |
Stick
length without screw (cm) |
Playable
hair length (cm) |
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0136
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H.R.
Pfretzschner ca. 1910/20 Model Ideal, silver mounted, very good
original condition. |
126
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64,0
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54,0
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94
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H.R.
Pfretzschner ca. 1930, nickelsilver mounted, very good original
condition.
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134
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69,0
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56,0
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0184
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FR.WUNDERLICH
LEIPZIG, nickelsilver mounted. With this extraordinary stick length
the bow has still a perfect balance, a real masterpiece! |
130
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78,0
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64,0
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0185
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FR.WUNDERLICH
LEIPZIG, nickelsilver mounted. With this extraordinary stick length
the bow has still a perfect balance, a real masterpiece!
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132
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77,0
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63,0
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0108
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Roger
Francois Lotte, stamped "Dupuy à Paris",
octogonal stick silver mounted, very good condition. Excellent
solo bow! |
126
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64,0
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54,0
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218
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Francois
Lotte, Neusilber montiert
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130
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69,0
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56,5
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0099
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Prosper
Colas ca. 1900, very good original condition. |
139
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63,5
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49,0
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0134
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Joseph
Thomassin for Louis Bazin ca.1930, stamped Gautié et Fils
Toulouse, nickel silver mounted, very good original condition,
certificate Atelier Raffin. |
135
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63,5
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50,5
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0211
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Joseph
Thomassin for Louis Bazin ca. 1930, nickel silver mounted, very
good original condition, certificate Atelier Raffin. |
122
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63,9
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50,5
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186
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Joseph
Thomassin for Louis Bazin ca. 1930, nickel silver mounted, very
good original condition, certificate Atelier Raffin. |
131
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63,7
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50,5
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0153
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122
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66,0
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53,5
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0165
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Morizot
Pere ca. 1930 with open
frog, certificate by Raffin. Excellent original condition! |
125
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64,5
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51,0
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160
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Emile
Francois Ouchard Père, silver mounted certificate Jacques
Poullot |
136
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66,0
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53,0
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0135
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Ouchard
Père stamped Cuniot-Hury, nickel silver mounted.
Certificate Atelier Raffin. |
135
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62,5
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49,0
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132
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Emile
Auguste Ouchard Fils ca. 1955, Silber montiert, certificate
Atelier Raffin. |
120 |
71,0 |
59,0
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0135
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Ouchard
Père stamped Cuniot-Hury, nickel silver mounted.
Certificate Atelier Raffin. |
135
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62,5
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49,0
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248
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Victor
Fétique, silver mounted, very good original condition.
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120
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63,0
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50,5
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198
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Claude
Thomassin ca. 1905, silver mounted, very good original condition,
certificate Atelier Raffin. |
123
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63,2
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50,5
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...in
addition numerous other french bows of various schools
It
is highly recommended to come for a visit together with your
instrument, so that you can find out the bow which fits and
works best for you and your bass!
Being
a bassist my self I am able to present you all bows playing,
so that you are able to judge them also from distance.
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back
to top
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Bows
historic
Each
bow has been carefully revised by our bow maker and is fitted
with new hair.
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No.
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Description
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Weight
(g) |
Stick
length without screw (cm) |
Playable
hair length (cm) |
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174
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Original
Dragonetti bow by Samuel Allen ca. 1900, snakewood with fix
ebony frog, excellent condition
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195
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69,2
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55,0
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0092
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German
baroque bow with hammer head and ebony frog ca. 1900, cherry
stick nickel silver mounted
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169
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66,0
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52,0
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0127
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English
Baroque bow - Dragonetti-model with ebony adjuster, konvex pernambuco
stick, nickel silver mounted |
157
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65,5
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52,5
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0146
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German
baroque bow with hammer head and ebony frog ca. 1900, very good
quality massaranduba-stick, nickelsilver mounted
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162
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67,3
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0192
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German baroque bow- Dragonetti-Model, nickelsilver mounted
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164
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66,7
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53,0
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0194
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German baroque bow with hammer head ca. 1900, nickel silver
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184
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67,0
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53,0
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0195
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English
baroque bow - Dragonetti-Model with ebony screw, konvex pernambuco
stick nickel silver mounted
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157
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65,5
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52,5
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| 125 |
German
baroque bow konkave Stick, open rosewood frog with adjuster |
114
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69,7
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55,5
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| 126 |
German
bassbow, partly-konkave Stick, open ebony baroque-frog and adjuster |
151
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70,0
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55,0
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0125
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J.
Thibouville LY French Dragonetti-model konvex stick with ebony
frog and brass screw
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154
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63,5
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51,5
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0143
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Charles
Nicolas Bazin French Dragonetti-model with open Brasil frog
and brass screw
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131
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63,0
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50,0
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0144
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Charles
Nicolas Bazin French Dragonetti-model with open Brasil frog
and brass screw
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128
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63,0
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50,5
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0118
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In the style of Pierre Cuniot, French model ironwood, very good
restored condition
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149
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63,3
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48,5
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087
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175
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63,0
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48,5
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0089
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Charles
Louis Bazin, French model with open Brasil frog and brass screw,
very good original condition!
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140
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60,7
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46,0
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0205
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French
Dragonetti model ironwood ca. 1880-1900 with open conic brasil
frog and brass screw.
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184
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61,0
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47,0
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175
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English
bow with open French ebony frog and brass screw.
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143
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69,1
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54,5
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...in
addition numerous other bows ...
It
is highly recommended to come for a visit together with your
instrument, so that you can find out the bow which fits and
works best for you and your bass!
Being
a bassist my self I am able to present you all bows playing,
so that you are able to judge them also from distance.
|
back
to top
back
to top
|
Schertler
Preamps
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Schertler Yellow Single Pre-Amp
modern
and sophisticated design, build in a robust and light aluminum
case.
maximum two inputs with chosable phantom power for all kind
of microphones and pick-ups.
maximum four output lines with multiple connections
headphones output
send & return for effect loop
four band EQ and extra dedicated filters on the main channel
to ensure wide range of tonal controls and maximum flexibility.
hi-end pure class A electronics for the best possible sound
performance
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Schertler
Yellow Blender Pre-Amp
modern
and sophisticated design, build in a robust and light aluminum
case.
2 separate input channels with chosable phantom power for all
kind of microphones and pick-ups.
maximum four output lines with multiple connections
headphones output
send & return for effect loop
four band EQ and extra dedicated filters on the main channel
to ensure wide range of tonal controls and maximum flexibility.
hi-end pure class A electronics for the best possible sound
performance
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 |
back
to top
|
Specials
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| Description |
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CD
My Double Bass, Ödön Racz
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The Sommerhoff
precision oil-pencil made of aluminum and is the only precision-oil-dispenser
for any kind of oil including alcali oil and any other kind
of fluids.
The Sommerhoff
precision oil-pencil dispenses finely dosed quantities dropwise.
Even oils with very low viscosity cannot leak out after long
terms of laying intermission. This oil pencil of highest production
quality without compromises satisfies even the highest professional
expectations.
Prices
on request by Email - Please click here !
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Especially
recommended for the care of brass wind instruments but also
for cleaning up resistent rosin spots on string instruments
with orange oil.
The
usage is very easy. You can fill in ca. 5 ml oil into the aluminium
tank and dispensing the oil dropwise by pressing the button
on top of the pencil.
|
back
to top
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Sven-Henrik
Gawron,
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Wine
Connoisseur
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Great
choice of
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Instruments
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Service-Workplace
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Hand
made elektric
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Upright
Basses
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